Bob Levi, chairman of LAOCAS, wrote "Yuko Mabuchi Plays Miles Davis is much better than superb. amzn_assoc_ad_type = "smart"; Haden’s walking bassline is excellent, but surprisingly (considering that this is a Charlie Haden album) low in the mix, somewhat overpowered by the drums. After the opening, Henderson takes a sax solo, panned hard left, backed by Hayes and Barron. 2. Block, Raulee Marcus and Leslie Lassiter, Yarlung commissioned Missing Miles, which Yuko created in honor of Miles himself. At about 4:20, they move back to the “Nardis” melody briefly and then reprise the introduction at about 4:40 while Harland makes some minor changes to the drums underneath this groove. Mabuchi treats this classic composition from Milesâs modal period with the respect that it deserves, with beautiful contributions from the ensemble. Ah! in 1958 to be played by Cannonball Adderley for the album . 1,470 views, added to favorites 29 times. The rendition of âNardisâ that appears on the album, a refinement of the arrangement that the trio had been playing on the road, became the default canonical version in the absence of a Miles originalâthe basis for twenty years of Evansâs performances, and for â¦ Haden’s walking bassline and Higgins’ drums continue to give good support throughout (the drums are a little loud, but that’s presumably just the recording). It’s a great tune to play, although a little challenging at first because it leads you to improvise a little differently than the way you may be used to playing. Take a second to support Nextbop on Patreon! This is from the 1977 album The Great Jazz Trio at the Village Vanguard, Vol. For most of its 13th season, the SFJAZZ Collective chose to honor the music of Miles Davis. Around 4:30, Pilc returns to the “Nardis” melody and Hoenig’s cymbals bring the intensity back down to the mysterious feeling from the introduction. At 2:30, Pilc drops out for a bass solo from Moutin… around 3:00 the trio has moved quite far, it seems, from “Nardis”, but a couple of notes around 3:20 or so serve to remind us of where we are before continuing in this improvisation just very loosely based on the “Nardis” melody. Yuko Mabuchi Plays Miles Davis is just like that…much better than superb. In “Nardis,” you’ll hear how the melody takes these little melodic turns that are reminiscent of Middle Eastern music, and the open Em/F chords come from the Phrygian mode, which is used in Spanish music, for instance. Catalog SKU number of the notation is 61570. "Nardis," by the Jazz Professors: WUCF-FM, Orlando, Florida, December 10, 2007. At about 3:15, Harland doubles up on the snare, giving his drums the feel of a DJ playing two records of the same drum track. Henderson takes a strong solo while Barron’s comping keeps the “Nardis” melody front and center. The rendition of “Nardis” that appears on the album, a refinement of the arrangement that the trio had been playing on the road, became the default canonical version in the absence of a Miles original—the basis for twenty years of Evans’s performances, and for … ... numerous Bill Evans recordings of "Nardis" over the years, the original recording was on Cannonball Adderley's "Portrait of Cannonball", which features Bill Evans, and was recorded in 1958. Difficulty: intermediate. ), Cannonball Adderley: Portrait of Cannonball, Kenny Barron/ Brad Mehldau: Umbria Jazz Festival (video). Music Of Miles Davis & Original Compositions (SFJAZZ) By Yoshi Kato | Published July 2017. “Nardis” has been used as a vehicle for some great piano trio renditions including not just Bill Evans’ version, but also a hip-hop-centric version from Jacky Terrasson, a messy/exploratory version from the Pilc-Moutin-Hoenig trio, and a swinging version from Hank Jones. The tempo here is a little slower, I think, than on some of the versions above, or at least it feels that way in here. amzn_assoc_linkid = "90a67fb89ed71cf8189beeaabd25b08e"; Joe Henderson’s album The Kicker, from 1967, included his version of “Nardis.” Henderson’s sax is joined by Mike Lawrence’s trumpet, Grachan Moncur III’s trombone, Kenny Barron’s piano, Ron Carter’s bass, and Louis Hayes’ drums. Nerds, originally composed by Miles Davis has been covered by many jazz artists back in the day and today. It is lively. The fun thing about “Nardis” is that Miles puts these world music elements side-by-side with ii-V-I’s that could come right out of Tin Pan Alley. Discover more than 56 million tracks, create your own playlists, and share your favourite tracks with your friends. (Fake Book). amzn_assoc_tracking_id = "nextbop08-20"; These lyrics are waiting for review. A slice of Miles' career fro… 3 1 13. 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